The Cambridge Companion to Science Fiction
Кембриджский путеводитель по научной фантастике
2003-11-20
SCID: 54.1/22qn8ew9
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Marxist theoryfeminist theoryscience fictionscience fiction criticismscience fiction history
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Abstract (AI)
Science fiction is at the intersection of numerous fields. It is a literature which draws on popular culture, and which engages in speculation about science, history, and all types of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from these different angles. After an introduction to the nature of science fiction, historical chapters trace science fiction from Thomas More to more recent years, including a chapter on film and television. The second section introduces four important critical approaches to science fiction drawing their theoretical inspiration from Marxism, postmodernism, feminism and queer theory. The final and largest section of the book looks at various themes and sub-genres of science fiction. A number of well-known science fiction writers contribute to this volume, including Gwyneth Jones, Ken MacLeod, Brian Stableford Andy Duncan, James Gunn, Joan Slonczewski, and Damien Broderick.
Key Findings
1
Historical essays trace science fiction’s development from Thomas More through contemporary works, including its evolution in film and television.
2
Its largest section examines diverse themes and subgenres, combining scholarly perspectives with contributions from established science fiction writers.
3
The book introduces Marxist, postmodernist, feminist, and queer-theoretical approaches for critically analyzing science fiction.
4
The volume presents science fiction as an interdisciplinary genre engaging popular culture, scientific speculation, history, and social relations.
Research Object
science fiction as a literary and cultural genre
Research Subject
its historical development, critical approaches, themes, and sub-genres across literature, film, and television
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2003-11-20
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