Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening

Выражение, восприятие и индукция музыкальных эмоций: обзор и анкетное исследование повседневного слушания музыки
Patrik N. Juslin, Petri Laukka
2004-09-01

emotion inductioneveryday music listeningmusical emotionsquestionnaire studysocial context of music listening
In this article, we provide an up-to-date overview of theory and research concerning expression, perception, and induction of emotion in music. We also provide a critique of this research, noting that previous studies have tended to neglect the social context of music listening. The most likely reason for this neglect, we argue, is that that most research on musical emotion has, implicitly or explicitly, taken the perspective of the musician in understanding responses to music. In contrast, we argue that a promising avenue toward a better understanding of emotional responses to music involves diary and questionnaire studies of how ordinary listeners actually use music in everyday life contexts. Accordingly, we present findings from an exploratory questionnaire study featuring 141 music listeners (between 17 and 74 years of age) that offers some novel insights. The results provide preliminary estimates of the occurrence of various emotions in listening to music, as well as clues to how music is used by listeners in a number of different emotional ways in various life contexts. These results confirm that emotion is strongly related to most people's primary motives for listening to music.
1
An exploratory questionnaire study of 141 listeners aged 17–74 provides preliminary estimates of emotions experienced during music listening and how music is used emotionally across life contexts.
2
Prior research has largely adopted the musician’s perspective, potentially limiting understanding of ordinary listeners’ emotional responses to music.
3
The authors propose diary and questionnaire studies of everyday listening as a promising approach for studying music-related emotional responses.
4
The findings indicate that emotion is strongly associated with most people’s primary motives for listening to music.
5
The review identifies a major gap in musical-emotion research: insufficient attention to the social context of everyday music listening.

Musical emotion in everyday listening by ordinary music listeners

The expression, perception, induction, occurrence, and everyday contextual uses of emotion in music listening

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2004-09-01
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Patrik N. Juslin
Petri Laukka
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