Compositional process as discourse and interaction: A study of small group music composition processes in a school context

Композиторский процесс как дискурс и взаимодействие: исследование процессов сочинения музыки в малых группах в школьном контексте
Magne Espeland
2015-01-01

Breakthroughs and BlockagesCircle episodescompositional processethnographic microanalysissmall group music composition
“Compositional Process as Discourse and Interaction” is a\nstudy on compositional processes of pupils working in small\ngroups in a public school music context.\nThe study describes and discusses the main elements of\ncompositional processes, in what ways compositional processes\ndevelop, how they are structured and constructed and\nwhat the connections are between the musical pieces being\ncreated and the process of their creation.\nThis empirical study – inspired by phenomenological, ethnographic\nand socio-cultural theory – bases important parts\nof its findings on the use of ethnographic microanalysis of\nvideo footage. Findings suggest that significant events in the\ncompositional processes can be identified in the form of\nCircle episodes, Focus episodes, Breakthroughs and Blockages,\nthat small group compositional processes are highly\nrelational and circular by nature and that generative activity,\nproductive activity and communicative activity are major\nand equally important characteristics of compositional processes\nin school music.
1
Ethnographic microanalysis of video footage identifies significant process events as Circle episodes, Focus episodes, Breakthroughs, and Blockages.
2
Generative, productive, and communicative activities are equally important characteristics of school-based compositional processes.
3
Small-group compositional processes are highly relational and circular, with development and structure emerging through interaction.
4
The study connects the musical pieces created by pupils with the interactional processes through which those pieces are produced.
5
The study examines small-group pupil composition processes in a public-school music context using phenomenological, ethnographic, and sociocultural perspectives.

Small-group music composition processes of pupils in a public school music context

The structure, development, relational and circular nature, key episodes, and generative, productive, and communicative activities of the compositional processes and their connections with the musical pieces created

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2015-01-01
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Magne Espeland
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