Fine Art Insurance Policies and Risk Perceptions: The Case of Malta

Страхование произведений искусства и восприятие рисков: пример Мальты
Luke Pavia, Simon Grima, Inna Romānova, Jonathan Spiteri
2021-02-06

art deteriorationart fraudart theftfine art insurancerisk perception
The aim of this paper is to identify the risks that need to be addressed when holding fine art, determine which are perceived as being the most important, and whether the risk perception is influenced by demographic variables such as age, educational background, and field of occupation. To identify the risks and evaluate the risk perception, we used a purposely designed questionnaire and sent it via various sources of communication systems and applications to individuals knowledgeable on fine arts. Findings revealed that, generally, art deterioration, art fraud, and art theft are the three main highlighted risks, with art deterioration considered in the high-risk range. In terms of risk perception, forgery is the biggest concern. On the other hand, considerations of the investment value of art lessened perceived risk exposure. Furthermore, the study has shown that certain risk perceptions were influenced by the participants’ demographic variables. Both the identified risks and risk perception considerations analyzed within this study provide us with insights as to what needs to be considered when offering fine art insurance, particularly when it comes to which risks that are perceived as being the most pressing by potential policyholders, and how these perceptions vary according to individual demographics variables as noted above.
1
Art deterioration is generally perceived as falling within the high-risk range among surveyed individuals knowledgeable about fine arts.
2
Forgery is the greatest concern in participants’ overall perceptions of fine-art-related risks.
3
Several risk perceptions vary according to participants’ age, educational background, and occupational field, informing fine-art insurance design.
4
The study identifies art deterioration, art fraud, and art theft as the three principal risks associated with holding fine art.
5
Viewing art primarily as an investment reduces perceived exposure to risks associated with holding fine art.

fine art holdings in Malta

perceived risks and demographic influences relevant to fine art insurance policies, including deterioration, fraud, theft, and forgery

Publication Details
Publication Date
2021-02-06
Journal
Publisher
ISSN
Cited by
30
Access Type
Author Information
Authors
Luke Pavia
Simon Grima
Inna Romānova
Jonathan Spiteri
Explore further
Open the scid.ai AI chat with a ready-made request: it will find papers on a similar topic and help build a literature review.
Find similar papers in the chat
Make a presentation
100%