Lope de Vega and the Early Conception of Metaphysical Poetry
Лопе де Вега и ранняя концепция метафизической поэзии
1984-01-01
SCID: 54.1/4we3635v
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H. J. GriersonJohn DonneLope de Vegacritical receptionmetaphysical poetry
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Abstract (AI)
A LTHOUGH the term has been used to describe the poetry of Donne and his followers, little attention has been paid to its original significance other than the recognition that it was somewhat derisive. Dryden first used the word metaphysics rather facetiously in describing the poetry of Donne, but it was Dr. Johnson who gave metaphysical poetry its critical meaning when he used it in his Life of Cowley as an unfavorable criticism of the poetry and wit of the early seventeenth century.' Though nineteenth-century writers found Johnson's use of the word inappropriate, in the twentieth century it was considered a perfect description of a certain type of poetry, and H. J. Grierson, T. S. Eliot, and others popularized it as a term of praise.2 These writers first defined in a broad sense as a style or mode employed in different epochs by certain philosophical
Key Findings
1
Dr. Johnson transformed the term into a critical, unfavorable label in his Life of Cowley, giving it lasting critical meaning.
2
Dryden first used the word "metaphysics" facetiously to describe Donne's poetry.
3
Nineteenth-century critics found Johnson's use inappropriate, but twentieth-century critics (e.g., Grierson, T. S. Eliot) reinterpreted it positively as a descriptive style or mode.
4
The paper focuses on the original significance and early conception of metaphysical poetry rather than later praise or reinterpretations.
5
The term "metaphysical poetry" originated as a somewhat derisive label applied to Donne and his followers.
Research Object
Metaphysical poetry as conceived in the early modern period, exemplified by Lope de Vega and English metaphysical poets
Research Subject
Historical and critical conception and usage of the term 'metaphysical poetry' (origins, critical meanings, shifting evaluations from Dryden and Dr. Johnson to nineteenth- and twentieth-century critics)
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1984-01-01
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