Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials
Минеральные пигменты в археологии: их анализ и ассортимент доступных материалов
2018-05-08
SCID: 54.1/54u3aaau
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archaeological contextsmineral pigmentspigment analysissynthetic inorganic pigmentstrade and technology in pigment use
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Abstract (AI)
Naturally occurring minerals or their synthetic analogues have been important as pigments used in artistic and cosmetic contexts in global antiquity. The analysis and identification of mineral pigments, though routine to the petrologist or mineralogist, also requires specialist knowledge of the archaeological contexts and available technologies and trade. This paper attempts to present an analytical approach to the study of mineral pigments in archaeology and also introduces the range of mineral pigments encountered in works of art and painted objects on archaeological sites and in museums. It attempts to cover the range of mineral and synthetic inorganic pigments used in global cultures from to the early Medieval period.
Key Findings
1
Identifying mineral pigments requires not only petrological/mineralogical analysis but also specialist archaeological knowledge of context, technologies, and trade.
2
Mineral pigments, both natural and synthetic analogues, were widely used in artistic and cosmetic contexts across global antiquity.
3
The paper catalogs the range of mineral and synthetic inorganic pigments encountered in artworks and painted archaeological objects up to the early Medieval period.
4
The paper presents an analytical approach tailored to studying mineral pigments in archaeological materials.
Research Object
Mineral and synthetic inorganic pigments used in archaeological artworks and painted objects
Research Subject
Analytical approaches for identification and study of these mineral pigments and the characterization of the range of pigment materials encountered in archaeological contexts up to the early Medieval period
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2018-05-08
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