Creative cultural production and ethnocultural revitalization among minority groups in Russia

Креативное культурное производство и этнокультурное возрождение среди групп меньшинств в России
Dilyara Suleymanova
2018-06-12

Tatar ethnocultural activismcreative cultural productiondigital technologiesethnocultural revitalizationminority cultural heritage
In this article, I discuss how globally circulated forms of creative cultural production and digital technologies are appropriated by minority ethnocultural activists in Russia, and how these processes result in new forms of expression of ethnic culture and reinterpretation of minority cultural heritage. I focus on creative cultural and digital initiatives that have emerged within the last 5–7 years in an autonomous region of the Russian Federation: the Republic of Tatarstan. These initiatives were launched by young grass-roots activists and entrepreneurs who are Tatars – an ethnic group that predominantly resides in the Republic of Tatarstan. As a republic with a certain degree of autonomy under the Russian federal legislation, Tatarstan has been the centre of the Tatar classic cultural production (theatre, music, arts, and literature), as well as of the Tatar language education. Under the policies of centralization and cultural unification Russia has pursued under the presidency of Vladimir Putin (2000 onwards), most of the political autonomy arrangements that Tatarstan achieved in the 1990s have been dismantled. The new restrictive ideological climate in Russia has repercussions for activism around ethnocultural questions, such as preservation of minority language and identity. At the same time, dissemination of transnational forms of cultural production and the advancement of digital technologies in Russia contribute to innovative cultural developments in the regions. Adapting these global formats and genres to the local cultural activities, the young members of the Tatar community develop new forms of ethnocultural activism. They produce alternative ways of representing and articulating ethnic identity, which depart sharply from the Soviet-born templates of representing ethnic culture. The urban activities these groups pursue allow for the de-politicization of ethnocultural activism in the conditions of an increasingly restrictive ideological and political climate in which minority activism is often equated with separatism.
1
Creative and digital projects provide alternative ways to articulate Tatar ethnic identity amid Russia’s centralization, cultural unification, and restrictive ideological climate.
2
These initiatives generate new expressions of Tatar culture and reinterpret minority cultural heritage beyond Soviet-era representational templates.
3
Transnational cultural forms and digital technologies contribute to innovative regional cultural development despite reduced political autonomy in Tatarstan.
4
Urban cultural activities enable a degree of de-politicization for ethnocultural activism while supporting minority language and identity concerns.
5
Young Tatar activists and entrepreneurs in Tatarstan appropriate globally circulating creative formats and digital technologies for ethnocultural initiatives.

Creative cultural and digital initiatives of young Tatar activists and entrepreneurs in the Republic of Tatarstan, Russia

The appropriation of global creative formats and digital technologies to produce new forms of Tatar ethnocultural expression, heritage reinterpretation, and identity activism under restrictive political conditions

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2018-06-12
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Dilyara Suleymanova
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