The Protection of Monuments and Immoveable Works of Art from War Damage: A Comparison of Italy in World War II and Ukraine during the Russian Invasion

Защита памятников и недвижимых произведений искусства от военных разрушений: сравнение Италии во время Второй мировой войны и Украины в период российского вторжения
Cathleen Hoeniger
2024-03-31

church ornamentationcultural heritage safeguardingimmovable works of artmonument protectionwar damage
This article compares the safeguarding of monuments and immoveable works of art in Italy in the first years of World War II to the on-site protection undertaken in Ukraine during the Russian invasion and explores whether traditional or more innovative methods are being employed in Ukraine. Both the planning in advance of war and the implementation of protective measures amidst substantial obstacles are considered. The focus is placed on fixed works of art in churches and public statues. Special attention is given to the vulnerability of churches and their ornamentation during war.
1
The article compares monument-protection strategies in Italy during the early years of World War II and Ukraine during Russia’s invasion.
2
The comparison examines both prewar planning and the implementation of protective measures under substantial wartime obstacles.
3
The study focuses on fixed artworks in churches and public statues, emphasizing churches and their ornamentation as particularly vulnerable during war.
4
Ukraine’s safeguarding practices are assessed for the use of traditional methods alongside potentially more innovative approaches.

Monuments and immoveable works of art in Italy during World War II and Ukraine during the Russian invasion, particularly fixed artworks in churches and public statues

Safeguarding and protective measures for monuments and immoveable works of art before and during war, including the vulnerability of churches and their ornamentation and the use of traditional versus innovative protection methods

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2024-03-31
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Cathleen Hoeniger
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