Toward a Neural Basis of Music Perception – A Review and Updated Model

К нейронной основе восприятия музыки — обзор и обновлённая модель
Stefan Koelsch
2011-01-01

EEG and fMRIauditory scene analysismusic perceptionmusical syntax and semanticsneural correlates
Music perception involves acoustic analysis, auditory memory, auditory scene analysis, processing of interval relations, of musical syntax and semantics, and activation of (pre)motor representations of actions. Moreover, music perception potentially elicits emotions, thus giving rise to the modulation of emotional effector systems such as the subjective feeling system, the autonomic nervous system, the hormonal, and the immune system. Building on a previous article (Koelsch and Siebel, 2005), this review presents an updated model of music perception and its neural correlates. The article describes processes involved in music perception, and reports EEG and fMRI studies that inform about the time course of these processes, as well as about where in the brain these processes might be located.
1
EEG and fMRI findings characterize both the temporal course and probable brain locations of music-perception processes.
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Music perception can evoke emotions and modulate subjective feeling, autonomic, hormonal, and immune effector systems.
3
Music perception comprises acoustic analysis, auditory memory, auditory scene analysis, interval processing, musical syntax and semantics, and activation of premotor action representations.
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The review updates an earlier neural model of music perception by integrating evidence on the processes involved and their neural correlates.

Human neural systems underlying music perception

the perceptual, cognitive, emotional, and sensorimotor processes involved in music perception, including their temporal course and neural localization

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2011-01-01
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Stefan Koelsch
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