Landscape in Russian Art in the Second Half of the 19th – the Beginning of the 20th Century. Evolution of a Genre: Range of Issues

Пейзаж в русском искусстве второй половины XIX — начала XX века. Эволюция жанра: круг проблем
Olga S. Davydova
2023-01-01

Russian landscape artartists’ worldviewlandscape genrelandscape poeticsnineteenth-century Russian art
The article is devoted to the conceptual analysis of the multifaceted evolution of the landscape genre in Russian art in the second half of the 19th – early 20th century. The author poses and investigates in detail the key question of interrelationship of landscape poetics with the artists’ world view and aesthetic guidelines of the time influencing the perception of nature and its reflections in art. The academic and practical foundation of the article consists of the tasks, results and development prospects of the topic of the international conference with the same title “Landscape in Russian Art in the Second Half of the 19th – the Beginning of the 20th Century. Evolution of a Genre” (May 16–17, 2022, Russian Academy of Arts, Moscow), curated by the author.
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It identifies the interrelationship between landscape poetics and artists’ worldviews and aesthetic principles as central to understanding representations of nature.
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The article builds on the themes, results, and future research directions of an international conference devoted to the evolution of Russian landscape art.
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The article conceptually analyzes the multifaceted evolution of the landscape genre in Russian art from the second half of the nineteenth to early twentieth century.
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The study examines how changing intellectual and aesthetic orientations influenced perceptions of nature and their artistic reflection.

The landscape genre in Russian art from the second half of the 19th to the early 20th century

The multifaceted evolution of landscape poetics and its interrelationship with artists’ worldviews and aesthetic principles shaping the perception and artistic representation of nature

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2023-01-01
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Olga S. Davydova
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