Cultural consumptionEthnographic researchPost-Soviet RussiaPost-Soviet studiesRussian popular culture
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Abstract (AI)
With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sushi bars to discotheques and tattoo parlors. In Consuming Russia editor Adele Marie Barker presents the first book-length volume to explore the sweeping cultural transformation taking place in the new Russia. The contributors examine how the people of Russia reconcile prerevolutionary elite culture—as well as the communist legacy—with the influx of popular influences from the West to build a society that no longer relies on a single dominant discourse and embraces the multiplicities of both public and private Russian life. Barker brings together Russian and American scholars from anthropology, history, literature, political science, sociology, and cultural studies. These experts fuse theoretical analysis with ethnographic research to analyze the rise of popular culture, covering topics as varied as post-Soviet rave culture, rock music, children and advertising, pyramid schemes, tattooing, pets, and spectator sports. They consider detective novels, anecdotes, issues of feminism and queer sexuality, nostalgia, the Russian cinema, and graffiti. Discussions of pornography, religious cults, and the deployment of Soviet ideological symbols as post-Soviet kitsch also help to demonstrate how the rebuilding of Russia’s political and economic infrastructure has been influenced by its citizens’ cultural production and consumption. This volume will appeal to those engaged with post-Soviet studies, to anyone interested in the state of Russian society, and to readers more generally involved with the study of popular culture. Contributors. Adele Marie Barker, Eliot Borenstein, Svetlana Boym, John Bushnell, Nancy Condee, Robert Edelman, Laurie Essig, Julia P. Friedman, Paul W. Goldschmidt, Judith Deutsch Kornblatt, Anna Krylova, Susan Larsen, Catharine Theimer Nepomnyaschy, Theresa Sabonis-Chafee, Tim Scholl, Adam Weiner, Alexei Yurchak, Elizabeth Kristofovich Zelensky
Key Findings
1
Cross-disciplinary theoretical and ethnographic studies document diverse post-Soviet phenomena, including rave culture, advertising, pyramid schemes, tattoos, sports, cinema, graffiti, pornography, and religious cults.
2
Popular culture and everyday consumption contribute to rebuilding Russia’s political and economic infrastructure after the Soviet collapse.
3
Post-Soviet Russia transformed from a monolithic state-run marketplace into a diverse consumer landscape featuring specialized shops and varied popular-cultural venues.
4
Russian society reconciles prerevolutionary elite culture and the communist legacy with imported Western influences, producing multiple public and private cultural identities.
5
Soviet ideological symbols are reappropriated as post-Soviet kitsch, demonstrating how cultural production reshapes meanings inherited from the Soviet era.
Research Object
Post-Soviet Russian society and its cultural marketplace
Research Subject
The cultural transformation of Russian public and private life through the interaction of prerevolutionary and communist legacies with imported Western popular culture
Publication Details
Publication Date
1999-01-01
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