Meanings of fanzines in the beginning of Punk in the GDR and FRG
Значение фанзинов на заре панка в ГДР и ФРГ
2006-01-01
SCID: 54.1/c4h5pm88
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GDR and FRGcollective identityearly punk scenemedia controlpunk fanzines
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Abstract (AI)
This article is examining the different cultural meanings of fanzines in the early punk scene in both German states. Since 1977 more and more of these journals had been published in the FRG. These autonomous publications used to media between staging, communication and the construction of collective identities. In case of punk fanzines in the FRG, they meant self-empowerment, the overcoming of isolation and the constitution of a social and cultural community. While these journals became an important part of the scene in West-Germany, there was a lack of them in the GDR. The government’s control over publishing and the missing means and possibilities of production prohibited the development of autonomous publications such as fanzines. The comparison of the development of punk fanzine culture in both German states show that these media and their cultural meanings must always be seen in front of the greater societal and political framework they appear in.
Key Findings
1
From 1977 onward, fanzines became increasingly widespread in the FRG’s early punk scene as autonomous media connecting performance, communication, and collective identity construction.
2
Punk fanzines remained scarce in the GDR because state control over publishing and limited production resources obstructed autonomous publication.
3
The contrasting development of fanzine cultures demonstrates that their media functions and cultural meanings depend on broader societal and political conditions.
4
West German punk fanzines enabled self-empowerment, helped overcome social isolation, and contributed to forming a shared social and cultural community.
Research Object
Punk fanzines in the early punk scenes of the GDR and FRG
Research Subject
Their cultural meanings and roles in staging, communication, self-empowerment, overcoming isolation, and constructing collective identities under differing sociopolitical and publishing conditions
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2006-01-01
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