Базаров и Рязанов: романтический архетип в русской литературе

Базаров и Рязанов: романтический архетип в русской литературе
Уильям Крафт Брумфилд
2015-09-24

BazarovFathers and SonsHard TimesRiazanovRomantic hero (Byronic)
The article examines the presentation of the protagonist as alienated radical activist in the novels “Ottsy i deti” (“Fathers and Sons”) and “Trudnoe vremia” (“Hard Times”). Both Ivan Turgenev and Vasily Sleptsov draw on ideological and social questions of the day, yet each also creates a protagonist situated within a literary context. The Romantic hero, particularly as defined by Byron, is the major paradigm for Turgenev’s Bazarov, while Sleptsov adopts a more skeptical approach in the portrayal of his Riazanov. Also examined is the relation of the protagonist to an anti-radical foil: the fading humanist Pavel Kirsanov, with his cultured “Westernizer” (zapadnik) values; and the ameliorist landowner Shchetinin, whose liberal plans are questioned by Riazanov. The article also compares the protagonists’ relations to the main female characters, Odinstova and Shchetinina. In this case Turgenev reverts to a Romantic mode of portrayal — that of a great love denied. Sleptsov, on the other hand, seems to anticipate a Chekhovian mode, with his nuanced dialogue between Riazanov and Shchetinina. With their discussion of social goals and ideals, personal passion is muted in favor of personal empathy and mutual respect.
1
Both novels situate their radical protagonists within contemporary ideological and social debates of their time.
2
Each protagonist is contrasted with an anti-radical foil: Pavel Kirsanov (fading humanist Westernizer) opposite Bazarov, and Shchetinin (ameliorist landowner) opposite Riazanov.
3
In Sleptsov’s portrayal, personal passion is muted in favor of personal empathy and mutual respect during discussions of social goals and ideals.
4
Sleptsov’s Riazanov portrays an alienated radical activist with a more skeptical stance than Turgenev’s Romantic mode.
5
Turgenev represents the protagonist–female relation as a denied great Romantic love (Odinstova and Bazarov), while Sleptsov anticipates a Chekhovian mode emphasizing empathy and mutual respect (Riazanov and Shchetinina).
6
Turgenev’s Bazarov is modeled primarily on the Byronic Romantic hero, presenting an alienated radical activist archetype.

The protagonists Bazarov (from Turgenev's Fathers and Sons) and Riazanov (from Sleptsov's Hard Times) as literary figures

Their presentation as alienated radical activists framed by the Romantic hero archetype and contrasted with anti-radical foils and female relations—i.e., characterization, ideological positioning, and interpersonal relations (love, empathy, respect)

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2015-09-24
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Уильям Крафт Брумфилд
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