Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
Первобытные страсти: визуальность, сексуальность, этнография и современное китайское кино
1997-07-01
SCID: 54.1/m9w3epsh
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Chen KaigeZhang Yimoucontemporary Chinese cinemaethnographysexualityvisuality
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Abstract (AI)
Chow situates contemporary Chinese film within the broad context of Chinese history and culture, giving readers a glimpse of the unique shared identity that characterizes the current crop of outstanding filmmakers, such as Chen Kaige and Zhang Yimou.
Key Findings
1
It identifies a unique shared identity among contemporary Chinese filmmakers like Chen Kaige and Zhang Yimou.
2
The book situates contemporary Chinese film within the broader context of Chinese history and culture.
3
The work connects themes of visuality, sexuality, and ethnography to contemporary Chinese cinema.
Research Object
Contemporary Chinese cinema (films and filmmakers such as Chen Kaige and Zhang Yimou)
Research Subject
The role of visuality, sexuality, and ethnographic/historical cultural identity in shaping shared identity among contemporary Chinese filmmakers
Publication Details
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1997-07-01
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