Acoustic sequences in non‐human animals: a tutorial review and prospectus

Акустические последовательности у животных, не относящихся к человеку: учебный обзор и перспективы
Arik Kershenbaum, Daniel T. Blumstein, Marie A. Roch, Çağlar Akçay, Gregory A. Backus, Mark A. Bee, Kirsten M. Bohn, Yan Cao, Gerald G. Carter, Cristiane Cäsar, Michael H. Coen, Stacy L. DeRuiter, Laurance R. Doyle, Shimon Edelman, Ramon Ferrer‐i‐Cancho, Todd M. Freeberg, Ellen C. Garland, Morgan L. Gustison, Heidi E. Harley, Chloé Huetz, Melissa Hughes, Julia Hyland Bruno, Amiyaal Ilany, Dezhe Z. Jin, Michael T. Johnson, Chenghui Ju, Jeremy Karnowski, Bernard Lohr, Marta B. Manser, Brenda McCowan, Eduardo Mercado, Peter M. Narins, A. Piel, Megan G. Rice, Roberta Salmi, Kazutoshi Sasahara, Laela S. Sayigh, Yu Shiu, Charles Taylor, Edgar E. Vallejo, Sara Waller, Veronica Zamora‐Gutierrez
2014-11-26

acoustic sequencesanimal acoustic communicationinformation theorysignal processingvocal sequence analysis
Animal acoustic communication often takes the form of complex sequences, made up of multiple distinct acoustic units. Apart from the well-known example of birdsong, other animals such as insects, amphibians, and mammals (including bats, rodents, primates, and cetaceans) also generate complex acoustic sequences. Occasionally, such as with birdsong, the adaptive role of these sequences seems clear (e.g. mate attraction and territorial defence). More often however, researchers have only begun to characterise - let alone understand - the significance and meaning of acoustic sequences. Hypotheses abound, but there is little agreement as to how sequences should be defined and analysed. Our review aims to outline suitable methods for testing these hypotheses, and to describe the major limitations to our current and near-future knowledge on questions of acoustic sequences. This review and prospectus is the result of a collaborative effort between 43 scientists from the fields of animal behaviour, ecology and evolution, signal processing, machine learning, quantitative linguistics, and information theory, who gathered for a 2013 workshop entitled, 'Analysing vocal sequences in animals'. Our goal is to present not just a review of the state of the art, but to propose a methodological framework that summarises what we suggest are the best practices for research in this field, across taxa and across disciplines. We also provide a tutorial-style introduction to some of the most promising algorithmic approaches for analysing sequences. We divide our review into three sections: identifying the distinct units of an acoustic sequence, describing the different ways that information can be contained within a sequence, and analysing the structure of that sequence. Each of these sections is further subdivided to address the key questions and approaches in that area. We propose a uniform, systematic, and comprehensive approach to studying sequences, with the goal of clarifying research terms used in different fields, and facilitating collaboration and comparative studies. Allowing greater interdisciplinary collaboration will facilitate the investigation of many important questions in the evolution of communication and sociality.
1
Complex acoustic sequences occur across diverse non-human taxa, including insects, amphibians, mammals, and birds, but their adaptive significance is often poorly understood.
2
The authors provide tutorial-style guidance on promising algorithmic approaches, integrating methods from animal behaviour, signal processing, machine learning, quantitative linguistics, and information theory.
3
The field lacks agreement on how acoustic sequences should be defined and analysed, motivating a cross-disciplinary methodological framework for systematic research.
4
The proposed framework is intended to establish best practices applicable across taxa and disciplines while highlighting limitations of current and near-future knowledge.
5
The review recommends three core analytical stages: identifying sequence units, characterising how information is encoded, and analysing sequence structure.

Complex acoustic sequences produced by non-human animals, including birds, insects, amphibians, and mammals

The units, information content, structure, adaptive significance, and analytical characterization of animal acoustic sequences

Publication Details
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2014-11-26
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Authors
Arik Kershenbaum
Daniel T. Blumstein
Marie A. Roch
Çağlar Akçay
Gregory A. Backus
Mark A. Bee
Kirsten M. Bohn
Yan Cao
Gerald G. Carter
Cristiane Cäsar
Michael H. Coen
Stacy L. DeRuiter
Laurance R. Doyle
Shimon Edelman
Ramon Ferrer‐i‐Cancho
Todd M. Freeberg
Ellen C. Garland
Morgan L. Gustison
Heidi E. Harley
Chloé Huetz
Melissa Hughes
Julia Hyland Bruno
Amiyaal Ilany
Dezhe Z. Jin
Michael T. Johnson
Chenghui Ju
Jeremy Karnowski
Bernard Lohr
Marta B. Manser
Brenda McCowan
Eduardo Mercado
Peter M. Narins
A. Piel
Megan G. Rice
Roberta Salmi
Kazutoshi Sasahara
Laela S. Sayigh
Yu Shiu
Charles Taylor
Edgar E. Vallejo
Sara Waller
Veronica Zamora‐Gutierrez
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