Photography: A Critical Introduction
Фотография: критическое введение
2015-01-30
SCID: 54.1/pp3ry6gw
Discuss with AI
documentary photographyphotographic theoryphotography and commodity culturephotography and the human bodyphotojournalism
Figures from the paper
Abstract (AI)
Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing. Individual chapters cover: Key debates in photographic theory and history Documentary photography and photojournalism Personal and popular photography Photography and the human body Photography and commodity culture Photography as art This revised and updated fifth edition includes: New case studies on topics such as: materialism and embodiment, the commodification of human experience, and an extended discussion of landscape as genre. 98 photographs and images, featuring work from: Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Höch, Karen Knorr, Dorothea Lange, Chrystel Lebas, Susan Meiselas, Lee Miller, Martin Parr, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall. Fully updated resource information, including guides to public archives and useful websites. A full glossary of terms and a comprehensive bibliography. Contributors: Michelle Henning, Patricia Holland, Derrick Price, Anandi Ramamurthy and Liz Wells.
Key Findings
1
Individual chapters address documentary/photojournalism, personal/popular photography, photography and the body, commodity culture, and photography as art.
2
The book includes 98 photographs by major practitioners, updated resource guides to archives/websites, a full glossary, and a comprehensive bibliography.
3
The book is the first introductory textbook to situate key debates in photographic theory within social and political contexts.
4
The revised edition includes new case studies on materialism and embodiment, commodification of human experience, and an extended discussion of landscape as genre.
5
This fifth edition provides a coherent introduction to the nature of photographic seeing aimed at higher-education and introductory college courses.
Research Object
The field of photography as examined in an introductory textbook
Research Subject
Critical introduction to photographic seeing and key debates in photographic theory, history, practices (documentary, photojournalism, personal/popular photography, body, commodity culture, photography as art), including case studies and visual examples
Publication Details
Publication Date
2015-01-30
Journal
Publisher
ISSN
Access Type
Author Information
Download PDF
Subscribe to digest