Challenging Uncomfortableness: The Adaptive Reuse of Bendigo Gaol into Ulumbarra Theater and School

Преодолевая дискомфорт: адаптивное повторное использование тюрьмы Бендиго под театр и школу Улумбарра
Waled Shehata, Craig Langston, Marja Sarvimäki, Jim Smith
2023-05-04

Bendigo GaolUlumbarra Theateradaptive reusecarceral historydark tourism
This article discusses the adaptive reuse of buildings associated with uncomfortable memories that have been turned into places for the general public to enjoy. It can be argued that the transformation of Australian heritage gaols into museums makes economic, cultural, and social sense, given the increasing rate of interest in dark tourism and the willingness of contemporary Australians and international tourists to understand the continent’s carceral history. However, the adaptive reuse of some gaols into places that provide multiple forms of art, culture, and education is a recent phenomenon that is under-studied. Bendigo Gaol, which was recently adapted into Ulumbarra Theater in addition to being partially occupied by a high school, retains many elements of the uncomfortable architectural features of the gaol. This paper investigates the factors mentioned in the literature that negotiate the uncomfortable past for its new functional purpose. Discussion of these factors provides clarity for decision-makers on how to maximize the full potential of conversion, while simultaneously commemorating the history of the site. This research concludes that reusing Bendigo Gaol to an art-and-education building was a collective decision and, despite being successful, appears to have not been sensitive to its uncomfortable history.
1
Adaptive reuse of Bendigo Gaol created Ulumbarra Theater and partially accommodated a high school, expanding former prison use into arts, culture, and education.
2
Analyzing factors that negotiate the gaol’s past and new purpose can help decision-makers maximize reuse potential while commemorating the site’s history.
3
Bendigo Gaol’s conversion was a collective decision and is considered successful in functional terms, but it appears insufficiently sensitive to the site’s uncomfortable history.
4
The conversion retains many uncomfortable architectural features of the gaol while adapting the site for contemporary public functions.
5
The project illustrates how economic, cultural, and social objectives can support reusing carceral heritage beyond conventional museum and dark-tourism models.

Bendigo Gaol adaptively reused as Ulumbarra Theater and partially occupied by a high school

Factors and decision-making practices that negotiate the gaol’s uncomfortable carceral history with its new arts-and-education functions

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2023-05-04
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Waled Shehata
Craig Langston
Marja Sarvimäki
Jim Smith
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