Russia's Cultural Statecraft

Культурная государственная политика России
Tuomas Forsberg, Sirke Mäkinen
2021-10-14

Russiacultural diplomacycultural statecraftforeign policysoft power
The introductory chapter to the book discusses the key concepts of culture and statecraft and the relationship of ‘cultural statecraft’ as the organising concept to neighbouring concepts such as cultural diplomacy, public diplomacy, international cultural relations and, in particular, soft power. It constructs the theoretical framework for analysing Russia's cultural statecraft. By looking at a number of institutional domains that represent culture, the book asks to what extent different cultural activities have been used for foreign policy purposes and whether they are perceived as having a political dimension. The chapter also examines how cultural statecraft was developed in Russia after the end of the Cold War and particularly during the Putin era after the mid-2000s. Finally, the chapter outlines the chapter structure and key contents of the book.
1
It examines whether cultural activities across different institutional domains have been used for Russian foreign-policy purposes and perceived as politically significant.
2
The analysis traces the development of Russia’s cultural statecraft after the Cold War, with particular emphasis on the Putin era since the mid-2000s.
3
The book investigates cultural statecraft as an organizing concept for understanding the relationship between culture and foreign policy in Russia.
4
The chapter develops a theoretical framework for analyzing Russia’s cultural statecraft and distinguishes it from cultural diplomacy, public diplomacy, international cultural relations, and soft power.

Russia's cultural statecraft and its institutional cultural activities since the end of the Cold War

The development, foreign-policy use, and perceived political dimension of Russia's cultural activities, particularly during the Putin era

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Publication Date
2021-10-14
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Authors
Tuomas Forsberg
Sirke Mäkinen
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