Show me the prison! The development of prison tourism in the UK

Покажите мне тюрьму! Развитие тюремного туризма в Великобритании
Alana Barton, Alyson Brown
2015-11-23

ethical interpretationmuseum websitesprison museumsprison representationsprison tourism
This paper presents an analysis of the historical development and interpretation of prison tourism in the UK Britain and the influence of this on current representations of prison museums via prison museum websites. While there has been significant examination of various prison museums overseas there has been comparatively little published on these institutions in the UK Britain. In response to contending pressures, prison museums have endeavoured to present a balanced and objective depiction of past prison systems whilst their promotional websites, which serve to draw in customers, frequently rely on ‘popular’ depictions. These representations raise important questions as prisons cannot be seen as neutral or apolitical, neither those in the early 21st century nor those of the past. Despite these pressures, prison museums have great potential to increase public understanding of the prison; this paper promotes a more ethical, multi-perspective and politically diverse interpretation within prison museums.
1
Prison museums have substantial potential to improve public understanding of incarceration through more ethical, multiperspective, and politically diverse interpretations.
2
Prisons and their museum representations are not politically neutral, making the interpretation of prison history ethically and politically consequential.
3
The paper traces the historical development of prison tourism in the UK and examines how prison museums are currently represented online.
4
UK prison museums face tension between presenting balanced, objective accounts of past prison systems and using popular depictions on promotional websites to attract visitors.

Prison museums and their websites in the UK

The historical development, interpretation, and current representations of prison museums, including tensions between balanced historical interpretation and popular promotional depictions

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2015-11-23
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Alana Barton
Alyson Brown
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