The Upper Palaeolithic rock art of Portugal in its Iberian context

Верхнепалеолитическое наскальное искусство Португалии в иберийском контексте
André Tomás Santos, Maria de Jesus Sanches, Joana Castro Teixeira
2015-11-30

Iberian PeninsulaMagdalenianPleistocene/Holocene transitionPortugalUpper Palaeolithic rock art
This text presents a synthesis of what is known of Palaeolithic rock art in Portugal.We observe, in Portugal, a great graphic homogeneity in pre-Magdalenian rock art and considerable differences between the southern and northern rock art during the Magdalenian.However, during the Pleistocene/Holocene transition, we recognize a new process of homogenization of Portuguese rock art.This evolution is, nevertheless, perfectly explained when we take into account the wider Iberian context of Upper Palaeolithic rock art.
1
A new homogenization process emerges in Portuguese rock art during the Pleistocene–Holocene transition.
2
During the Magdalenian, Portuguese rock art diverges considerably between northern and southern regions.
3
Portuguese pre-Magdalenian rock art exhibits substantial graphic homogeneity.
4
The observed evolution of Portuguese rock art is explained by considering the broader Iberian Upper Palaeolithic context.

Upper Palaeolithic rock art in Portugal within the wider Iberian context

The graphic homogeneity, regional differences, and processes of homogenization in Portuguese rock art from the pre-Magdalenian through the Pleistocene/Holocene transition

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2015-11-30
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André Tomás Santos
Maria de Jesus Sanches
Joana Castro Teixeira
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