‘Padres de la Patria’ and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America

«Отцы Отечества» и наследие предков: празднование независимости в испанской Америке XIX века
Rebecca Earle
2002-11-01

Civic festivalsIndependence commemorationsIndigenous cultureNational originsSpanish America
This article examines the civic festivals held in nineteenth-century Spanish America to commemorate independence from Spain. Through such festivals political leaders hoped, in Hobsbawm's words, ‘to inculcate certain values and norms of behaviour by repetition, which automatically implies continuity with the past’. But when did the ‘past’ begin? If in nineteenth-century France the French Revolution was the time of history , in Spanish America there was no consensus on when history began. The debates about national origins embedded within the nineteenth-century civic festival not only suggest how political elites viewed their Patrias but also shed light on the position of indigenous culture (usually separated hygienically from indigenous peoples themselves) within the developing national histories of post-independence Spanish America.
1
Debates over national origins in civic festivals revealed how political elites conceptualized their respective homelands and national identities.
2
Nineteenth-century independence festivals in Spanish America sought to instill political values and behavioral norms through repeated commemorative practices.
3
These commemorations exposed the contested place of indigenous culture—often symbolically detached from indigenous peoples—within emerging post-independence national histories.
4
Unlike France’s relatively clear revolutionary historical starting point, Spanish American societies lacked consensus over when their national history began.

Nineteenth-century civic festivals in post-independence Spanish America commemorating independence from Spain

Debates over national origins and the incorporation of the ancestral and indigenous past into developing national histories

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2002-11-01
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Rebecca Earle
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