:Art on the Jesuit Missions in Asia and Latin America, 1542-1773
Искусство в иезуитских миссиях в Азии и Латинской Америке, 1542–1773
2000-12-01
SCID: 54.1/ynnh4wt9
Discuss with AI
Jesuit missionsRenaissance and Baroque artcross-cultural artistic exchangeearly modern global arthybridization of artistic traditions
Figures from the paper
Abstract (AI)
When the Jesuit missionaries ventured from Europe to newly discovered territories in Asia and Latin America, they brought with them the rich traditions of Renaissance and Baroque art and architecture. What happened to the artistic and social practices already thriving in the communities that the missionaries encountered is the story told by art historian and Jesuit specialist Gauvin Alexander Bailey. The Jesuits, determined to convert both spiritually and culturally, put great effort into imparting their own artistic techniques and knowledge. At the same time they were unusually tolerant of the non-European cultures, making artistic accommodations in order to communicate with each particular society. The resulting hybridization was complex: German, Italian, and Flemish as well as the dominant Spanish and Portuguese idioms mingled with multiple Asian and Amerindian traditions. Bailey argues that this cross-pollination of early modern art became the first truly global visual currency for cultural exchange. Through a sweeping look at Japan, China, Mughul India, and Paraguay, the author focuses on four of the most flourishing artistic encounters and discovers much unrecognized or misunderstood art. He overturns the simple thesis that art was imposed on subject cultures in favour of the more difficult paradigm of exchange. This meticulously researched book has over 100 beautiful illustrations and a thorough index. Winner of the 2000 Roland H. Bainton Prize Winner for Art and Music History - Sixteenth Century Studies Conference
Key Findings
1
Artistic encounters produced complex hybrid forms blending German, Italian, Flemish, Spanish, and Portuguese idioms with Asian and Amerindian traditions.
2
Evidence from Japan, China, Mughal India, and Paraguay challenges the view that Jesuit art was simply imposed, emphasizing reciprocal artistic exchange and previously misunderstood works.
3
Jesuit artistic practice combined efforts to transmit European techniques with accommodations to local cultural traditions and social contexts.
4
Jesuit missions introduced Renaissance and Baroque artistic traditions to Asia and Latin America between 1542 and 1773.
5
The resulting cross-cultural hybridization became an early global visual currency for cultural exchange.
Research Object
Artistic practices and cultural encounters on Jesuit missions in Asia and Latin America from 1542 to 1773
Research Subject
The hybridization and reciprocal exchange between European Jesuit artistic traditions and Asian and Amerindian artistic and social practices
Publication Details
Publication Date
2000-12-01
Journal
Publisher
ISSN
Access Type
Author Information
Download PDF
Subscribe to digest