PECULIARITIES OF HOT ENAMEL TECHNIQUE APPLICATION IN THE ARTISTIC-IMAGES SYSTEM OF KYIVAN RUS GOLDSMITHING XI – FIRST HALF OF XIII CENTURY

Особенности применения техники горячей эмали в системе художественных образов ювелирного искусства Киевской Руси XI — первой половины XIII века
Oleksandra BARBALAT
2022-01-01

Byzantine enamelKyivan Rus goldsmithinghot enamel techniqueiconographic symbolismsacred jewellery
The study is devoted to the art historical analysis of the basic principles that formed the basis for the development and application of the hot enamel technique in the Kyivan Rus goldsmithing of XI – first half of the XIII century. The article reflects the specifics of the application of this art technology, in particular in the manufacture of works of sacred purpose in the jewellery workshops of princely Kyiv. The peculiarities of the use of this technique for the effective disclosure of the symbolism of artistic images are revealed. The article examines the artistic and figurative features of Kyivan Rus goldsmithing. The history of the formation of the traditions of their use as a decor of jewellery, executed in the technique of hot enamel, is highlighted. The symbolism of the colours inherent in this technique as a part of the integral semantic-semiotic system of the Kyivan Rus iconography is explained. A comparative analysis of the composition of Byzantine and Kyivan Rus hot enamel is carried out. The scientific novelty of the study consists in the illumination of artistic and technological aspects of the hot enamel technique, which historically came from Byzantium and is one of the factors of form making in the goldsmithing of Kievan Rus. It is established that the experiments of the Kyivan princely goldsmiths with the hot enamel technique have led them to a new qualitative stage of development and became one of the factors forming the general concept of Kyivan Rus goldsmithing development in the late XI – early XIII centuries. Materials of this research are offered to apply in the process of creating new exclusive collections of jewellery with hot enamel. The results of the presentation of such conceptual collections will contribute to the promotion of the cultural and artistic heritage of Ukraine in the world. The study uses historical-cultural and artistic-project approaches in combination with comparative and presentation methods
1
A comparative analysis identifies artistic and compositional distinctions between Byzantine and Kyivan Rus hot enamel traditions.
2
Hot enamel was used in sacred jewellery from princely Kyiv to disclose and reinforce the symbolism of artistic images.
3
Hot enamel, historically transmitted from Byzantium, became a significant form-making factor in Kyivan Rus goldsmithing during the eleventh to early thirteenth centuries.
4
Kyivan princely goldsmiths’ experimentation with hot enamel advanced the technique to a new qualitative stage and influenced the broader development of Kyivan Rus goldsmithing.
5
The colours of hot enamel formed part of the integrated semantic-semiotic system of Kyivan Rus iconography.

Hot enamel technique in Kyivan Rus goldsmithing of the 11th to the first half of the 13th century, particularly in sacred jewellery produced in the princely workshops of Kyiv

The artistic, technological, and symbolic principles and features of applying hot enamel, including its role in shaping artistic images, colour symbolism, and the development of Kyivan Rus goldsmithing in comparison with Byzantine enamel

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2022-01-01
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Oleksandra BARBALAT
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