MYTHOPOETICS OF THE FOX SPIRIT IN THE SHORT STORIES OF B. M. YULSKY AND PU SONGLING

Мифопоэтика духа-лисицы в рассказах Б. М. Юльского и Пу Сунлина
Lin Guanqiong
2021-01-01

Liao Zhai zhi yicomparative analysisfox spiritfrontier mythologymythopoetics
The article is devoted to the hermeneutic and comparative analysis of the short story The Fox’s Footprint (1939) by the Russian writer of the Harbin diaspora B. M. Yulsky. The mystical, mythological, adventure aspects are studied. The image of the fox spirit in Chinese culture, in particular, in the collection of stories Liao Zhai zhi yi (17th century) by the Chinese writer Pu Songling, is researched. The emphasis is placed on the cult of immortal foxes in Manchuria in the 19th — first half of the 20th century. It is proved that in his prose Yulsky relied on the eastern cultural context and thereby created the authorial frontier mythology, expressing it in the genre of the mystical-adventure story.
1
The analysis emphasizes the cult of immortal foxes in Manchuria during the nineteenth and first half of the twentieth centuries.
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The article provides a hermeneutic and comparative analysis of B. M. Yulsky’s 1939 short story “The Fox’s Footprint.”
3
The study identifies mystical, mythological, and adventure dimensions in Yulsky’s story.
4
Yulsky draws on Eastern cultural contexts to create an original frontier mythology expressed through the mystical-adventure genre.
5
Yulsky’s depiction of the fox spirit is examined alongside representations in Pu Songling’s seventeenth-century collection Liao Zhai zhi yi.

the fox spirit in B. M. Yulsky’s short story The Fox’s Footprint and Pu Songling’s Liao Zhai zhi yi, within the cultural context of Manchuria

the mythological, mystical, and adventure aspects of the fox-spirit image, including the cult of immortal foxes and its transformation into Yulsky’s frontier mythology

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2021-01-01
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Lin Guanqiong
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