Locating Power in Platformization: Music Streaming Playlists and Curatorial Power

Локализация власти в платформизации: плейлисты музыкальных стриминговых сервисов и кураторская власть
Robert Prey
2020-04-01

Spotify playlistscuratorial powermusic streamingplatform economyplatformization
Where does the “power” of platformization reside? As is widely recognized, platforms are matchmakers which interface between different markets or “sides.” This article analyzes platform power dynamics through three of the most important markets that Spotify—the leading audio streaming platform—is embedded within: the music market; the advertising market; and the finance market. It does so through the lens of the playlist. Playlists can be seen as a central example of how platforms like Spotify employ curation or “curatorial power” to mediate markets in the attempt to advance their own interests. At the same time, playlists are an outcome of the conflicting pressures and tensions between these markets. As such, they provide a lens through which to view broader structural dynamics within the platform economy. As this case study of Spotify demonstrates, platform “power” is an always unstable and shifting outcome of the ongoing attempt to coordinate between various markets and actors.
1
Playlist formation reflects conflicting pressures and tensions among Spotify’s different markets and participating actors.
2
Playlists are a central mechanism of Spotify’s curatorial power, mediating markets while advancing the platform’s own interests.
3
Spotify’s platform power is unstable and continually shifts as the platform coordinates relationships among markets and actors.
4
Spotify’s platform power operates across interconnected music, advertising, and finance markets rather than residing in a single market.
5
The playlist provides a lens for understanding broader structural dynamics of power within the platform economy.

Spotify music-streaming platform playlists

Curatorial power and its unstable, shifting dynamics in mediating the music, advertising, and finance markets

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2020-04-01
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Robert Prey
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